探索豎笛/鋼琴對話的起點

能被傳奇豎笛家Sabine Meyer (1959年生)在謝幕時微笑拍肩，應該是很滿意年輕同伴的表現吧。

看到一篇樂評提到兩人合作的這首豎笛/鋼琴二重奏，形容為"The dialogue between the two instruments sounds almost operatic."。好奇找來聽，發覺豎笛真是另一種亟待摸索入門的管樂啊~ Weber - Grand Duo concertant op.48.

** 樂評/圖片取自：kulturvision Magazine (Google德翻英)

https://www.kulturvision-aktuell.de/magische-klaenge....../

Carl Maria von Weber (1766-1826) Grand duo concertant in E flat major op.48

With this 3-movement piece for clarinet and piano, the two protagonists are allowed to enchant their audience. The clarinet trumps right at the beginning with great intensity. Sabine Meyer creates the first movement, Allegro con Fuoco, in a fiery, urgent, and pointed manner, before engaging in an interplay with Kit Armstrong and his piano. The dialogue between the two instruments sounds almost operatic. The second movement, Andante con moto, begins pathetically with alternating calls and answers.

Melodious passages fly back and forth quickly and violently, with the piano accompanying at times almost like strings. This is followed by a short piano solo, brilliantly arranged by Armstrong. The clarinet joins in almost vocally. The rondo finale begins with virtuosity, deep feelings, delicate rhythms, and fast runs. Finally, it flows into a gentle feeling of grace and lightness.

* 左邊是Alban Gerhardt (cello)，右邊是 Kit Armstrong (pianist )